讲述一群高中学生在乘坐大巴旅行时遇上了“化学事件”——残暴的丧尸侵袭，到处血淋淋，振作起来打丧尸了！

　　科学与宗教之间的界限到底怎样划分？两者是对立的，还是一步就能跨越？凯瑟琳（希拉里·斯万克 Hilary Swank饰）的转变就多次源于这个古老神秘的哲学命题。她曾经忠实地信仰天主，虔诚布道，丈夫和女儿却惨死他人手中，这令凯瑟琳不再相信宗教，她坚定的认为，科学才是一切现象的根本，所谓神，只是人们愚蠢的迷信。
　　小镇上发生的怪事，却令凯瑟琳的观念发生了又一次的逆转。只因为，圣经上的预言和这里发生的一系列怪事竟然不谋而合。面对这些神秘的现象，凯瑟琳发现，自己的科学信仰面临着严峻的挑战，在小镇沸沸扬扬的风波中，也许主宰一切的是她一直不愿相信的神明……

　　Campers find themselves in a fight for survival against a clan of cannibals in the Appalachian woods.

　　A family with buried secrets reunite at a farmhouse after two decades to pay for their past sins.

　　大学生珍妮弗（尼姬·戴尔勒茨 Nikki Deloach 饰）和艾文（斯蒂芬·克莱蒂 Stephen Colletti 饰）是一对相亲相爱的情侣，在珍妮弗生日之际，艾文驱车将女友带到了荒郊野外。他所奉上的生日礼物，竟是一幢拥有数十年历史的大房子。对艾文来说，这不仅是生日礼物，更是求婚的最好证明。房子要价非常低，家具水电齐全，而且奉送广袤的土地。当然，天下没有便宜可占。据当地人说，五十年前房子的前主人全部离奇身亡。这些传言没能吓住艾文和珍妮弗，他们次日请来学校的好友一同庆祝狂欢。
　　令他们想不到的是，房子里竟然还住着一个脸上缠着带血绷带、专门活剥人脸的恶魔。狂欢之夜由此变成了血腥屠杀的盛宴……

　　阳光明媚的周末，中年男子迈克（马丁·亨德森 Martin Henderson 饰）驱车带着妻子辛蒂（克里斯蒂娜·亨德里克斯 Christina Hendricks 饰）、儿子卢克（刘易斯·普尔曼 Lewis Pullman 饰）和女儿金赛（拜莉·麦迪逊 Bailee Madison 饰）踏上漫漫旅程。他们准备前往亲戚所在的城市，将叛逆的金赛送入一间新的寄宿学校。一路上本就争吵不断，偏偏在夜深人静的时刻他们所到达的露营地又空无一人。卢克受父母之托，肩负起开导妹妹的重任。兄妹俩边散步边聊天，结果意外在某栋房子里发现了叔叔和阿姨被人残忍杀害的尸体。
　　略显迟钝的一家人很快发现，他们所有的联络方式均已被带着面具的神秘杀手所切断。针对陌生人的残酷杀戮，就在静寂肃杀的夜晚展开了……

　　欧文·蒂格(《小丑回魂》《至亲血统》)加盟加里·奥德曼主演的超自然惊悚类型新片《玛丽》，Michael Goi(《美国恐怖故事》《塞勒姆》)执导，《鲨滩》编剧安东尼·贾斯温斯基操刀剧本。剧情讲述一个为生活努力奋斗的家庭在拍卖会上购得一艘老船，满怀希望准备开展租船业务，却在与世隔绝的外海发现了这艘船的惊悚秘密。奥德曼饰演一家之主兼船的掌舵者，蒂格饰船长的二把手，是一位弗罗里达州的冲浪好手。该片本月底阿拉巴马开拍。

　　一群好友決定在萬聖節的夜晚前往郊外的鬼屋景點試膽，鬼屋內的工作人員不僅舉止怪異，而且全戴著陰森駭人的面具，隨著他們漸漸深入鬼屋內部，屋裡各種凶險的殺人機關也開始啟動，原本看似無傷大雅的嚇人把戲也變得越來越真實…

　　在不远的将来，美国总统布什第四次获得连任，他解散国会，在世界范围内散播战火，为了能源源不断的提供兵源，政府研制了能够将人化为僵尸战士的病毒，岂料病毒扩散，军方派遣一支精英小队平息事端，一名队员被咬伤后逃走……
　　脱衣舞俱乐部“犀牛”中，老板艾斯寇（罗伯特•英格兰德 Robert Englund 饰）迎来了新人杰西，暗恋杰西的小伙子戴维斯亦随之潜入犀牛。当夜舞女们的表演令一票观众疯狂，突然被僵尸咬啮的战士当场将当家舞女凯特（詹娜•詹姆森 Jenna Jameson 饰）咬死，谁知凯特死而复生，并因病毒在女性身上可以保持纯洁的特性而未丧失理智，僵尸化的凯特舞技大增，一干舞女因无法忍受被观众忽视纷纷献身僵尸，只顾赚钱的艾斯寇决定将事情隐瞒，僵尸舞女们在犀牛中大放光彩……

　　Reboot of "The Munsters", that followed a family of monsters who moves from Transylvania to an American suburb.

　　A teenage girl with self-esteem issues finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.

　　In this unique take on the infamous Manson murders we follow two generations of chilling real life events which occur at 10050 Cielo Drive, one of America's most notorious addresses.

　　十九世纪末，残暴的地主Seamus Laurent屠杀了一个罗姆人部族，给他的家庭和村庄带来了诅咒。在接下来的日子里，镇民们被噩梦所困扰，Seamus的儿子Edward失踪，一个男孩被发现被谋杀。当地人怀疑是野生动物，但来访的病理学家约翰-麦克布赖德警告说，森林里潜伏着更邪恶的存在。

　　继震惊全国的威兹堡命案发生已经过去10个年头了，当年的幸存者悉妮·普利斯科特（内维·坎贝尔 Neve Campbell 饰）经历了常人无法想象的痛苦与磨难，如今终于从过去的阴影走出。她将那段不堪回首的往事写成书，其经历也被拍成系列电影，一时间红遍全国。在全国签售的最后一站，悉妮来到故乡威兹堡。然而厄运似乎如影随形，前一晚两名妙龄女孩在家中即遭鬼脸杀手杀害，悉妮的车厢内更发现了带血的刀子。警长戴维（David Arquette 饰）对此高度关注，与妻子盖尔（Courteney Cox 饰）各自积极追查真凶。
　　与此同时，悉妮的表妹吉尔（Emma Roberts 饰）和朋友们也受到陌生人的死亡来电。新一轮的屠杀就此展开，血雨腥风在所难免……

　　讲述一个画家江郎才尽，此时她被人介绍了一种药物，服用后她不由自主开始疯狂创作，但人也变成了嗜血的吸血鬼。

　　一个情人节晚上，一对年轻的男女情侣被人发现横尸于情人巷内。经过调查，令人尴尬的是他们竟然已经各自成家，令到他们的家眷都惊讶不已。一晃13年过去了，当年的女遇害者的丈夫汤姆警长（Matt Riedy 饰）一直都还在和女儿曼蒂（Jori Wanquist 饰）因为当年妻子的死而闹别扭；而男遇害者的配偶潘妮（Suzanne Bouchard 饰）一直都还在努力向儿子麦可隐瞒当年父亲死亡时的情形；当年的命案阴云一直还在两家人的头顶盘旋。更糟糕的是，当年的命案凶手越狱成功了，又一年的情人节即将到来！

　　A reclusive circus master invites a group of social media stars to his house of haunts. Anyone who can make it out before being scared into submission will earn $250,000 - but the stars soon learn they are not only competing for money, but also fighting for their lives.

　　20世纪50年代，美国乔治亚州。女孩玛丽·路易斯（萨布丽娜 科恩 Sabrina Kern 饰）与男友陷入热恋。浪漫之夜，年轻男女偷尝禁果，却间接导致了一场灾难。疯狂酗酒的父亲愈加暴戾无常，为了保护即将出世的孩子，玛丽逃进由一栋大别墅改造的神女修道院寻求庇护。这里地处偏远，几乎与世隔绝，修女们不苟言笑，甚至偏执得几近变态。住在这里的女孩们战战兢兢，惶惶不可终日。不久，玛丽被赐名阿加莎，她仿佛成为修道院的囚徒，失去了身体和灵魂的自由。
　　万事并未好转，女孩的生活朝着更黑暗的方向走去……

　　少年马丁（康勒·帕奥罗 Connor Paolo 饰）的家人在雨夜遭到吸血鬼的杀害，幸好一个自称“先生”（Nick Damici 饰）的陌生人赶到，将马丁救出。自此，当美国在吸血鬼的攻击中沦陷，国家组织毁于一旦的同时，马丁跟随者先生的脚步，在后者的训练下展开了目标北方的寻找自由之旅。两人在为了自保而各自封闭的小城镇之间穿行，沿路消灭吸血鬼和居心不良的恶徒，他们从暴徒手中救出一位修女，但却因此被基督教兄弟会捕获，兄弟会坚信吸血鬼是上帝派来净化地球的使者，他们配合吸血鬼发动对人类的进攻，马丁和先生因杀死兄弟会成员遭到处死，侥幸逃脱。他们继续向北方的自由之地前行，沿路是兄弟会的围堵与未知的命运……

　　As a means to distract herself from an affair, a love-addicted woman befriends a cleaning lady, badly scarred by burns. She soon learns, these scars run much deeper than the surface.

　　影片讲述在洛杉矶的一个夜晚，一个年轻的司机(兰登伯格饰)载着两个年轻漂亮的女人，奔赴5个不同的派对。在他发现她们并不是先前她们所声称的那样，他陷入到怀疑人生之中。

　　While the hot rodders and motorcyclists are having a rock-and-roll beach party, a barrel of radioactive material is unloaded from a passing ship, plunges to the bottom and splits against a jagged rock. A black liquid oozes out and covers a shapeless mass on the ocean floor, which suddenly moves and becomes an encrusted vicious monster. Soon there are several monsters and they must have human blood to survive. Tina is the first victim, and football hero Hank Green and airhead Elaine Gavin enlist the aid of her science-professor father, Dr. Gavin, to solve and capture the killer. Not working fast enough to prevent the attack on twenty teen-agers at a slumber party nor the killing of three girl motorists, Dr. Gavin finds an arm lost by one of the monsters and discovers that only sodium will destroy the monsters whose composition is mostly water. Can they gather enough salt in southern California to put an end to this horror?

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb