逃离食人族

　　小职员阿池（黄又南 饰）于凌晨坐上了一辆由九龙旺角开网新界大埔的红色小巴士，车上有司机肥雪（林雪 饰）、义气大叔黄万发（任达华 饰）、神婆（惠英红 饰）、IT男阿信（徐天佑 饰）以及美女Yuki（文咏珊 饰）、吸毒佬（李灿森 饰）等17人。原本平静的夜晚，在小巴穿过狮子山隧道后突然被打破，众人发现除了车上的乘客，全香港的居民仿佛都消失了，一系列的神秘事件接踵而至，大家惊恐之余决定打造统一阵线，以解救自己开启谜团。

　　威拉德是一个性格孤僻内向,不善与人沟通的小公司职员,家门外的生活对他来说只能是一团糟.反映迟钝,笨手笨脚,使他成为公司同事们的笑柄.尽管偶尔可以换来女士怜悯的眼光,但老板与同事们的嘲笑和排挤已将威拉德与社会愈推愈远.如此残酷的生活现实令威拉德更为珍惜自己唯一的'朋友'--两只智力过人分别名叫本和苏格拉底的老鼠.
　　或许几只小小的老鼠在常人眼中看起来只是一件不起眼甚至略带恶心的小事,但这却是威拉德唯一珍爱的寄托.因此,当威拉德挚爱'鼠友'苏格拉底惨死在公司同事的脚下时,痛失爱鼠心如刀割的威拉德与苏格拉底的遗孀本,便下定决心率领鼠军想平日的仇人发动一场终极审判.这一队无孔不入的复仇大军既有指挥又有决心,不但猫儿见到只能退避三舍,即使人类也同样只有束手无策.誓言血债血还,死窄死来还的威拉德鼠军,就次掀起了一场场腥风血雨.
　　Michael Jackson于1963五岁时,在幼稚园中首次演唱"Climb Every Mountain",随后在父母有心的促成下与四位兄长Jackie. Tito.Jermaine及Marlon共组了乐团,并在接下来的几年,随着年龄的增长,益发不断地展现出表演的技巧,褪去组团初期的稚嫩,无形中脱颖成为团中的灵魂人物.1969经由市长的赏识,引荐给Diana Ross,得以结实Motown的老板Berry Gordy,并且签约,随即全家迁居Los Angelous,同年年底首支单曲"I want you back"登上排行榜榜首,接连发行了"ABC","The Love You Save","I'll be there"等热门单曲.1972 Ben专集发行,(Ben)单曲成为冠军单曲.
　　来听听这首歌吧!!!!~~~~~~~

　　槙町小学流传着一个悲惨恐怖的传说，20年前曾有一个名叫大志的男孩因为体弱多病而无法参加学校的运动会，后来他死后亡灵便寄宿在一面镜子中。据说之后的运动会上，如果有学生不慎摔倒，他们将可能被大志带走。新一年的运动会过后，爱好拳击的八桥老师（西田尚美 饰）意外从储藏室翻到了大志之镜，不知就里的她将镜子搬到自己的办公室。而这一切偏巧被女孩兰子（前田亚季 饰）、茜（米泽史织 饰）看到。偏偏运动会上兰子和良（吉泽拓真 饰）这对组合意外摔倒。为防止大志作乱，兰子、茜、良以及小胖子真琴（山田一统 饰）相约夜潜校舍。他们将经历前所未有的魔幻大冒险……
　　本片根据常光彻的同名小说改编。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　迈克尔·法拉第（杰夫·布里吉斯 Jeff Bridges 饰）是一名乔治华盛顿大学的历史系教授，单独抚养着9岁的儿子，他的妻子原是FBI探员，前不久死于一次执勤。最近，迈克尔家街对面搬来了一户新人家，奥利弗（蒂姆·罗宾斯 Tim Robbins 饰）和雪柔（琼·库萨克 Joan Cusack 饰）以及他们的儿子布雷迪。然而不知是由于正在讲授恐怖组织一课的职业惯性还是第六感作祟，迈克尔总是对这户新邻居心存怀疑，当然，周围没有一个人相信他的荒谬推理。迈克尔开始对奥利弗一家明察暗访，渐渐发现了原来奥利弗一直在用假身份生活，家族史也颇有疑点，但是奥利弗和雪柔的警惕始终让迈克尔的调查寸步难行。直到一天，迈克尔的女友无意在奥利弗的车后发现了一只可疑的包裹，然而就在他们还来不及弄清楚事情原委的时候，谋杀已经笼罩了这座城市……

　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

　　一个小女孩和她的弟弟带着几个朋友去看他们刚刚继承的房子。他们不知道的是，这所房子里有恶魔的鬼魂，还有一个女人的鬼魂，她被烧死在女巫的火刑上，现在她计划报复杀害兄弟姐妹和他们的朋友。

　　《记忆》同在某餐馆打工的三名青年夜探灵异场所，在回家途中名叫义则的男孩却在车内离奇消失，更加匪夷所思的是，除了另外两个男孩外，似乎周围所有人都忘记了义则的存在，好像他从来没有出生过一样。为了一探究竟，他们决定重返灵异场所……

　　阿荣（Atiwat Lamgul 饰）和小董（Kapon Tongplub 饰）是医学院的学生，某日，两人偷偷潜入停尸房，想要取得尸油和夭折的胎儿。在传说中，死去的胎儿能够实现主人的愿望，而尸油则拥有操纵他人感情的神奇功效。
　　两人的秘密行动被在医院值班的护工小国发现了，虽然经历了一些波折，阿荣和小董的计划还是成功了，两人实现了愿望，亦得到了他们一直想要得到的东西。然而，之后，两人的身边开始发生一些科学无法解释的诡异事件，没过多久，他们双双命丧黄泉，其状可怖，而看似无辜的小国亦被牵连遭遇了和两人相似的事件，阿荣留下的视频揭露了小国的秘密，原来他亦深陷罪恶的泥潭之中。

　　四个年轻人前往一所废弃的房子拍摄一部纪录片，一系列奇怪和不幸的事情发生在了他们身上....

　　从战火纷飞的南苏丹痛苦地逃离后，一对年轻的难民夫妇努力适应英国小镇的新生活，这里看似平静，实则潜藏着难以言状的罪恶。