电影《朋友2》是由前作《朋友》的导 演郭暻泽继续执掌导筒，继续前作的故 事，而主角从刘五性和张东健变成了他们 的儿子们。

　　一对孤独男女在绝望中相识，俩人共创未来的故事；离家出走的男人洙荣（裴秀斌饰演）和一位为韩国梦进行跨国婚姻的菲律宾女性Mai Ratima（朴智秀饰演）相遇后将在一段旅途中共同成长…

　　The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)

　　朴河宣自2017年的影片《青年警察》后，时隔两年再次回归大荧屏。《第一个孩子》讲述的是生完孩子后，结束了一年的育儿假期而复职的“静雅”的故事。朴河宣饰演的“静雅”是一个三十多岁的普通韩国女性——服装公司代理兼职员“朴宇石”（吴东旻 饰演）的妻子，同时是一个刚出生14个月孩子的妈妈。复职后的“静雅”在残酷的现实中“混乱不已”——虽然想同时兼顾工作和照顾孩子，但却被看似理所当然实则是强加在女性身上的育儿负担压得喘不过气来。

　　财洙（金永灿 饰）的父亲（柳丞勇 饰）是一名皮条客，因此，财洙家中进进出出的，总是一些浓妆艳抹不怀好意的女人们。虽然年幼的财洙并不太清楚父亲和这些女人们从事的究竟是哪一个行当，但直觉和本能让财洙对她们有着深深的厌恶。
　　某日，财洙的家中又来了一个女人（金惠秀 饰），财洙掐指一算，这已经是第十一个了。然而，财洙敏感的察觉到，这个沉默寡言只会望着天花板发呆的女人似乎和之前那些女人有一些本质上的差别。就这样，财洙的生活中多了一个需要照顾的人，而当父亲将火气通过拳脚发泄到他和这个女人身上时，财洙亦学会了张开臂膀，以一个男子汉的身份保护女人。随着时间的推移，母子情谊渐渐在两个善良的人之间产生了。

　　以采访梦境的形式串联在韩打工的外乡人的群像，通过他们身在异乡为异客，异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外

　　讲述了犯罪组织头目载镐(薛耿求饰)与组织内性格强势的新人贤洙(任时完饰)产生交集，江湖兄弟之情与捉摸不定的背叛也由此展开。

　　作为一名影像制作人，民浩（金贤成 饰）已经很多年没有推出新的作品了，不仅仅是在工作方面，平淡而乏味的婚姻生活也让他陷入了纠结而痛苦的境地。在妻子智慧（金汝珍 饰）的建议下，民浩决定拍摄一组人体彩绘相关的作品，而模特的人选则定在了智慧那有些神神叨叨的妹妹英慧（蔡敏瑞 饰）的身上。乍看之下，英慧是一个体型异常瘦弱的女子，甚至到了病态的地步，因为她是一个纯粹的素食主义者。而英慧之所以会成为一名素食主义者，是因为她曾经被一个血腥诡异的梦境所困扰。
　　英慧和民浩之间产生了一种奇妙的化学反应，使得两人有些情不自禁。而作为亲人和妻子，无能为力的智慧只能眼睁睁的看着事态向她无法掌控的方向慢慢的发展。

　　从小就在农村长大的高智淑（朴真熙 饰）拥有一段不太快乐的童年记忆，记忆里，身负残疾的父亲酗酒成性，醉后便会对母亲（金海淑 饰）暴力相向。让母亲没有想到的是，长大后，从小就被认定以后不会有出息的智淑竟然成为了一名作家，甚至嫁到了大都市首尔。就这样，母亲和女儿开始了人生中最漫长的分离。
　　一转眼五年过去，智淑也成为了一名母亲，直到这时，她才意识到，自己的母亲将自己抚养成人付出了多少心血。为了尽孝，智淑来不及打招呼就回到了久违的老家，在淡淡的哀伤和隐隐的不安之中，母女二人开始了长达三天两夜的“亲密接触”，在这段时间里，智淑能够修复她和母亲之间长久以来淡漠的亲情吗？

　　该片以视听障碍人支援法《海伦凯勒法》为素材。《海伦凯勒法》是指国家人权委员会2008年1月针对视听障碍残疾儿童不能接受教育的现状进行调查，并制定的相关政策。虽然已经过了12年，但人们对视听障碍人的认识仍然很落后。

　　Soo-jung is camping on Jukdo Beach, while Jung-yong has left there for a long time and returned. Soo-jung and Jung-yong inevitably meet surfing on the beach. Besides, Jukdo Beach, which emerged as a surfing hot place, gets sick and tired of the heat as time goes by and the girl surfer Beezoo is finally destined to leave there.

　　电影改编自日本著名推理小说家东野圭吾的同名小说。胜贤（郑在泳 饰）怎么也想不到，自己那乖巧可爱的女儿李秀珍（李秀彬 饰）会以一具冰冷的尸体的形式躺在自己的面前，然而事实已经发生，无法改变，李秀珍被卷入了一场谋杀案中，成为了案件里的受害者。
　　某日，痛苦的胜贤收到了一封神秘 的信件，追随着信件中给出的线索，胜贤见到了女儿临死前最后的影像，绝望和愤怒之中，胜贤杀死了罪犯之一的哲勇，事件并没有就此结束，一位依然有杀害自己女儿的凶手逍遥法外。哲勇的死吸引了警方的注意，一直在调查李秀珍一案的刑警亿观（李成民 饰）展开了对于胜贤的追捕。

  在巴黎，青海（曹在显饰）是名来自韩国的年轻人，他靠小偷小骗谋生。洪山（张东直饰）是个来自朝鲜的逃兵，同是非法移民身份的两个人，由于青海偷窃了洪山的东西而结识，并开始了一份兄弟友情。偶然机会，青海认识了一位同落难的白人女子考林，她依靠着一个法国流氓生存，生活困苦。　　之后黑社会老大赏识洪山，便招其为手下，而两个替黑社会老大卖命的人也失去了自由。因为考林的缘故，青海几次背叛了洪山。最后他们一起被扔进了海中，异国他乡的命运就如此完结了么？

…

　　Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.

　　故事发生在1991年的韩国，玄静（河智苑 饰）是当年气势横扫全国的优秀乒乓球运动员，以打败中国赢得世乒赛冠军为目标，玄静做着不懈的努力和练习。就在比赛即将开始之时，玄静得知了一个惊人的消息，那就是她必须和来自朝鲜的乒乓球选手李粉姬（裴斗娜 饰）组成搭档，联合作战。
　　朝鲜和韩国的关系一直以来都处于冰河时期，这突如其来的联手让玄静很是不能理解，无奈“军令难为”，她也只能服从，就这样，一段充满了坎坷的矛盾的合作路程开始了。生活作风和待人处事的习惯完全不同的玄静和李粉姬能够合作成功吗？她们又能否取得最后的胜利呢？随着赛程的逐渐接近，气氛变得越来越紧张起来。

　　Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.

　　这部影片交织着两个分别用黑白和彩色胶片拍摄的故事。头一个故事讲述的是一位名叫全台的贫苦青年从1965年到1970年的经历。期间他从街头小贩变成了服装厂工人，工厂环境骇人听闻，于是他购买了法律书籍，寻求政府援助，组织工会，与新闻记者交流。但情况始终没有得到改善，于是他采取了一项可怕的举动。五年之后，一位名叫Shin Jung-Soon的年轻孕妇追随全台的道路，也试图在她工作的服装厂组织工会。之后她便受 ...

　　荷娜（金惠娜 饰）在寻找母亲的路上，遇到了妇女莫红。为了给女儿买钢琴，，莫红不惜以卖淫换取酬劳。同样命途多舛的人决定一起寻找一个属于自己的地方，她们想摆脱一切让人身心劳累的现实状况，寻找一个叫花之岛的地方。
　　她们来到一个雪山，相信往南走就能到达理想国度。突然有一天，她们遇到了一个垂死的女孩躺在堆满雪的车子里。两人合力把这个叫友金的女孩救出。原来友金本拥有美妙歌声，不幸的是她患上了喉癌，欲放弃生命的她被荷娜她们救起，三人决定一同寻找花之岛。
　　那个梦想中的花之岛，会是怎样的呢？

2012韩国剧情历史片《双面君王 》由秋昌旼导演，李秉宪主演，影片讲述的是：
朝政混乱，形式紧张的朝鲜时代，位居权利最高点的朝鲜君王——光海（李秉宪 饰）虽然手握大权，但却依然无法摆脱派系间的斗争和被觊觎其权利的旁人“毒害”的危机。心思颇深的光海和其参谋大臣徐均（柳承龙 饰）在民间找到了和光海本人极其相似的平民——夏善来作为他的替身，替他阻挡那些来自四面八方的危机。和光海的性格南辕北辙的夏善是个心思单纯的普通老百姓，被推倒最前线的他不得不模仿光海的模样，作为他的傀儡。这样大的反差引起了皇后（韩孝珠 饰）的注意和困惑。随着时间的加深，光海和夏善，这两个既相似又完全不同的人展开了他们相互交集的人生。

　　李瑜瑛饰演的报社编辑记者恩书在寻找新家的时候，没有选择合同到期的单间公寓，而是选择了与分居的父亲被迫同居一段时间，从而体会到了家的意义。

　　由蔡秀彬、张东尹、振永主演的KBS独幕剧《如果我们是季节》，讲述纯粹又青涩时期的青春爱情故事。

　　刚服完兵役的莫东（韩石圭 饰）坐火车回家的路上认识了美爱（沈惠珍 饰）。不知为何，莫东感觉自己以后的生活都会跟美爱有牵连。回家后的莫东正找工作，他再次遇到了美爱，美爱是在夜总会唱歌的，更是黑帮老大（文成根 饰）的女友。莫东也因为美爱的关系加入了黑社会。
　　忠心耿耿的莫东对美爱却有一丝丝的好感，而美爱冷酷的外表后面是一颗炽热的心。没想到，他们的组织面临解散，莫东打算付出自己的所有以及心爱的女人，他却得不到应有的回报……

　　Synopsis
　　"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
　　Notes
　　"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
　　A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
　　Afterword:
　　- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.

　　Synopsis
　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
　　Notes
　　"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
　　Afterword:
　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.