我们依然在这

　　麦考尔（丹泽尔·华盛顿 Denzel Washington 饰）是一名已经退役的黑色行动突击队队员，常年浸淫在充满了暴力和危险的生活中，麦考尔的内心早已经疲惫不堪，为了脱离组织，他大费周章伪造了自己已经死亡的假象，来到了波士顿，改头换面，隐姓埋名，企图能够过上平静安宁的新生活。
　　一次偶然中，麦考尔遇见了被俄国黑帮控制的雏妓泰利（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰），女孩坎坷的身世和危险的现状博得了麦考尔的同情，他决定帮助这个可怜的女孩。然而，在解救泰利的同时，麦考尔自己也陷入了黑帮强大的火力之中，对警方的昏庸和腐败失望透顶的麦考尔决心挺身而出与体制对抗。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university sleep research center for help. But when she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways.

　　六个陌生人醒来时被困在一片无尽的玉米地里，却发现了一件神秘的东西正在追捕他们。

　　《玛丽·塞利斯特的秘密》拥有很强的悬念性，画面真实自然，人物形象刻画入微。贯穿整部影片的悬念到最后才得以解开。导演以细致的人物心理刻画，使得这部经典影片即便在当今看来，也绝对让人匪夷所思！
　　玛丽·塞利斯特号商船满载货物准备离开纽约港前去意大利，船长本杰明要妻子萨拉一同前往，本杰明向萨拉描绘了大海的美丽，红色的黎明，成群的白帆和美妙的夜晚。本杰明的描绘彻底消除了萨拉对出海远行的恐惧。
　　另一只商船的吉姆船长也爱着萨拉，他和本杰明原是好友，因同时爱上萨拉而不欢而散。商船将要启航，水手不够，本杰明找吉姆帮忙，吉姆不怀好意的派人上了“玛丽”号，他要本杰明到不了目的地。船员安顿和“玛丽”号副船长威尔逊有过节，他也随同商船一起出发了。海上起了风暴，商船在暴风雨中飘摇，有船员葬身海底，安顿告诉萨拉，商船起航就潜藏着危险，注定有死亡，萨拉感到非常害怕，接着发生的事情更是令她心惊胆颤，船员一个接着一个被杀，死亡笼罩着“玛丽”号，本杰明船长和萨拉也失踪了，只有威尔逊和安顿活着。真相终于大白，这一切都是安顿为了报复造成的，安顿开枪打死了威尔逊，自己也神智不清的跳入大海。吉姆的商船发砚了在海上漂流的“玛丽”号，可是船在无人。

　　Based on a 1924 mystery novel by Agatha Christie, The Man in the Brown Suit was the eighth of Warner Bros. Television's Christie-inspired TV movies. Stephanie Zimbalist stars as an American tourist in Cairo (with Spain standing in for Egypt). She runs across a mysterious murder, and an odd encounter with a stranger; all this occurs even before she sets foot on a luxury liner with an all-suspect passenger manifest. It is established that the murderer, who is after a cache of valuable diamonds, is an internationally notorious criminal--but which one of the passengers is he (or she)? Maybe the villain romantic lead Simon Dutton, the "man in the brown suit" of the title...but don't discount such special guest suspects as Rue McClanahan and Tony Randall.

　　著名的韦氏词典中“Limey“的解释之一是“英国水手”，在这部斯蒂芬·索德伯赫的的作品中，我们的主人公曾经做过水手。这位倔强的英国人来到洛杉矶一心要为自己的爱女复仇。所以本片取名“Limey”意为讲述一个在洛杉矶因为愤怒、复仇而迷失了自己的人——威尔森。

　　该片是英年早逝的美国演员瑞凡·菲尼克斯的未竟遗作：试图通过第二趟蜜月挽救婚姻危机的好莱坞夫妇因汽车抛锚搁浅于荒漠，在这片宛若末日的犹他州不毛之地，一名有着印地安血统的男子独居在核试爆区的小屋，他的妻子曾经因核辐射引发的癌症而丧命。此时，因有了夫妻两人的短暂陪伴，他竟渴望起更亲密的关系，从而渐渐演变成一场情仇血案。导演乔治·斯鲁依泽在片头表示，这部电影就像一张只有两条腿的椅子，剪辑赋予了它第三条腿，虽然第四条腿永远不在了，但椅子依然能够站着。

　　《今宵多珍重》是一部台灣新加坡驚悚片以1960年新加坡為背景。彭文淳執導，電影描述一名約三十歲的醫生(Chuando Tan 陳傳多) 陷入了一場欺騙、性愛與謊言的迷網中。這部電影圍繞著一名出診醫生給一戶神秘並富有家庭看診的故事。

　　Metal music, wet paint, and family are the passions of Jesse, a struggling painter who lives a happy life with his wife, Astrid, and their preteen daughter, Zooey. And things look even brighter when Jesse and Astrid are able to put in a bid on their dream home - a huge property in rural Texas with a barn big enough for a proper art studio - after the price is driven down due to the home's mysterious past. After the trio moves in, Jesse's work starts taking on a new, considerably darker flavour - and things get even more ominous when Ray, the hulking, clearly unbalanced son of the deceased former owners, appears on the doorstep one night, clutching a red electric guitar and asking to "return home." It soon becomes clear that Ray and Jesse are both being influenced by the same satanic forces, and that Jesse's family won't be safe until they find a way to quiet the Devil himself.

　　心理諮詢師茉優（池田依來沙 飾），負責看診一名由警察保護的少女。失去所有記憶的少女連自己的名字都忘了，而茉優身旁竟然也開始發生許多無法理解的怪事……
　　另一方面，在網路行銷公司工作的祐介（塚本高史 飾）的推薦下，茉優的弟弟和真（清水尋也 飾）成為了一名YouTuber，和真為了增加影片的點閱量，打算偷偷到發生過5人死亡的火災地點拍攝靈異影片，沒想到這卻讓他……

　　Robin Hardy 1973年的The Wicker Man的续集
　　年轻的夫妇贝丝和史蒂夫，从德克萨斯刀苏格兰度假.此地的迷人风光和居民的热情好客,让他们不胜欣喜.然而,渐渐地,这个风光秀丽的小镇不为人知的狰狞面目渐渐破开迷雾,等待他们的,是一场不可想象的恐惧和灾难...
　　Charmed by the residents of Tressock, Scotland, two young missionaries accept the invitation to participate in a local festival, fully unaware of the consequences of their decision.
　　Young Christians Beth and Steve, a gospel singer and her cowboy boyfriend, leave Texas to preach door-to-door in Scotland . When, after initial abuse, they are welcomed with joy and elation to Tressock, the border fiefdom of Sir Lachlan Morrison, they assume their hosts simply want to hear more about Jesus. How innocent and wrong they are.
　　When two young missionaries (Brittania Nicol and Henry Garrett) head to Scotland, they are initially charmed by the locals in the town of Tressock, and agree to become the local Queen of the May and Laddie for the annual town festival. But the couple is not prepared for the frightening consequences of their decision, and the very disturbing secrets they are about to discover about Tressock's seemingly friendly townspeople.