双面玛莎

恐怖的电锯杀人魔，任何人都逃离不了他的魔掌。维莫和他疯狂的家人，一直是以杀戮、折磨人为乐。这次，珍妮和她朋友不小心陷入维莫的杀戮游戏，在这午夜森林中，他们能成功的逃出吗？

　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.
　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.
　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

　　史丹利（John DiSanti 饰）表面看上去是一个非常普通的男人，实际上，他就是犯下了无数起强奸案的“迈阿密之狼”。史丹利为人非常的小心谨慎，因此没有留下任何的犯罪线索，这让警方的调查一度陷入了困境之中。珍妮（Lauren Tewes 饰）住在史丹利家对面，敏感的她渐渐发觉了自己的邻居身上异于常人的地方，并且开始怀疑他就是迈阿密之狼。
　　为了取得线索，珍妮冒险偷偷溜进史丹利的家，还常常给他打骚扰电话。虽然珍妮对于自己的判断非常的肯定，但显然她身边的人都觉得她疯了。终于，史丹利发现一直在骚扰自己的人就是珍妮，为了自保，他决定先人一步除掉她。

　　影片聚焦在安娜的童年、青春以及成年时期的不同阶段，三个重要的人生时刻，都充满了欲望，同时也诠释了她的一生。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　1962 年古巴导弹危机期间，一名陷入困境的数学天才被选派参加一场美苏象棋比赛，并卷入了一场致命的间谍游戏。
　　在这部国际间谍惊悚片中，比尔·普尔曼与洛特·弗贝克、阿列克谢·谢列布里亚科夫、尼古拉斯·法瑞尔在赛场内外斗智斗勇。

　　他不仅为了还债监禁了拥有比特币的海任，还为了满足自己的控制欲监禁了自己的女友延美。他将为达目的理性暴力和为了爱情的感性暴力合理化，不断殴打并折磨她们，与此同时利用她们不可告人的秘密彻底摧毁了她们的人生。

　　《铁雨2》将围绕韩半岛统一的各方势力各自不同的强硬立场展开故事。

　　《千禧年》杂志的财经记者米克尔·布隆克维斯特（丹尼尔·克雷格 Daniel Craig 饰）正被一桩报导引起的诽谤诉讼案搞得焦头烂额之际，却意外接到了瑞典顶尖家族企业范耶尔工业集团的创始人亨利·范耶尔（克里斯托弗·普卢默 Christopher Plummer 饰）的邀请。表面上米克尔要为对方写传记，实则是帮迪奇调查一桩40年前发生在家族里的悬而未决的杀人案。米克尔认真梳理堆积如山的资料，与家族成员交流攀谈。却在关键时刻，被一个边缘女孩莉丝贝丝·沙兰德（鲁妮·玛拉 Rooney Mara 饰）入侵电脑盗取了资料。他找到同要具有非凡调查能力的莉丝，邀请她一同调查，却发现面前是一个深不见底的欲望黑洞……
　　本片根据瑞典小说家斯蒂格·拉尔松（Stieg Larsson）的原著改编。

　　贝克斯菲尔德（伯特·兰卡斯特 Burt Lancaster 饰）是林肯机场的总经理，繁忙的工作让他总是将家庭摆在人生的次要位置，导致备受冷落的妻子辛迪（达娜·温特 Dana Wynter 饰）最终选择了离开。
　　就在贝克斯菲尔德的婚姻遭遇了破坏性的打击的同时，他的事业也发生了前所未有的危机，一架飞机抛锚在了跑道上，阻碍了其他飞机起飞，更糟的是，另一架飞机上，一名恐怖分子引爆了炸弹，导致飞机严重受损，必须使用跑到着陆，否则就会机毁人亡。在飞机专家帕特洛尼（乔治·肯尼迪 George Kennedy 饰）的帮助下，贝克斯菲尔德凭借着惊人的胆识和智慧最终顺利化解危机，不仅如此，他还和女助手开启了一段罗曼史。

　　儿子约瑟夫的死亡让杜勒一家人陷入了无尽的悲痛之中，父亲整日里紧锁眉头，而母亲则坚持相信儿子并没有离去，而是会化身为精灵再度回到她的身边。压抑的家庭气氛让小女儿西朗特倍感孤独，没有人关注她的感受。一天，表妹弗朗西斯（Elizabeth Earl 饰）暂时住进了西朗特的家中，她的父亲即将奔赴战场。
　　弗朗西斯的到来让西朗特终于重拾了快乐，两人成天待在一起，消磨着彼此的时间。约瑟夫生前十分沉迷于对于精灵的研究，甚至为精灵们搭了一座小小的城堡。在弗朗西斯的强烈要求下，西朗特带着她进入了花园，开始寻找精灵的踪迹。让两人没有想到的是，她们竟然真的找到了精灵，不仅如此，还拍下了照片。

　　在日本市中心，一个电脑呆子被一群想利用他进行野蛮的科技活动的变态同性恋者跟踪.....