倩女幽魂2011

　　用100元的投入换来百亿奢靡人生，看穷小子不择手段颠覆规则将财富和权势玩弄于股掌之中！上市公司嘉文集团在短短几年间从默默无名到风生水起，再到没落清盘，市值蒸发超过一百亿。幕后老板程一言（梁朝伟 饰）也从万众瞩目的股民偶像变成人人喊打的过街老鼠。高级调查主任刘启源（刘德华 饰）长达十五年锲而不舍地搜证和跨境调查，消耗超过两亿诉讼费，竟发现局中有局案中有案，牵涉数条人命并波及香港整个上流社会，究竟谁在幕后？谁能逃脱？谁会出局？

　　研究超自然事项的“DEJA VU研究中心”因不断出现离奇事件，此时Parkon又发现Camera变为僵尸而到处吸食人 血，原来她想成为统治世界的女王。女警Jean因拥有预知能力，所以经常梦见Camera杀人的恐怖情景。警队于是派她协助Parkon调查这宗案件，在调查过程中，他们发现Rachain拥有一粒名为「纳卡」的珍珠，而这颗珍珠正是Camera梦寐以求的，Jean与电脑专家Frank于是急速前往找Rachain，希望能及时阻止Camera取得此珍珠，亦可避免更多的惨案发生……

　　电影《千博士驱魔研究所》改编自同名网漫，讲述虽然听不到鬼，但凭借鬼般的洞察力解决各种事件的假驱魔师"千博士"（姜栋元 饰）受到从未经历过的强烈附身事件的委托而开始的故事。
　　《千博士驱魔研究所》由制作了《老手》《Exit》《摩加迪沙》的外柔内刚公司制作，这也是曾担任《分手的决心》《寄生虫》《惟愿从邪恶中拯救我》助理导演的金成植的长片处女作。

　　讲述的是小时候因为遭遇事故而失踪的孙女，十年后再次和奶奶相遇的故事，充满了令人流泪的感动，她们身上的秘密也令人好奇。

　　梦想成为一名“神探”的面馆儿小老板林胜利，意外卷入一起“谋杀骗保”的阴谋中，善良正义的他利用多年自学的推理知识及缜密的逻辑思维能力，携手律师朱敏一起抽丝剥茧，避免了悲剧发生，最终将坏人绳之以法。

　　A young boy begins to experience the adult world as he enters adolescence.

　　十八岁那年，海猪仔入了松哥门下，松哥说看他面相看来这辈子会上三次头条，做事不要犹豫，冲啦！也就因此他深信不疑，
　　「一清专案」时代，海猪仔在帮会会议中，神明决定让他顶替松哥去绿岛出差！就这样他上了人生第一次的新闻版面轰动江湖!出狱後，
　　在传统市场蹲点收清洁费兼卖自己潜水打的鱼，就这样过了二十多年，直到有一天，松哥的儿子长脚董前来！因为社会的转变，帮会也转形成「公司」，而公司要把市场土地收回都更！就这样，黑道大哥中年失业了！走投无路又徬徨的海猪仔只能再靠打鱼卖海产店维生，在一次卖鱼货中看电视新闻获得天启！他决定带著小弟阿虎到绿岛重启人生！

　　Hamid’s (8) father has gone missing. His mother Ishrat has turned indifferent towards Hamid and the entire world after the incident. Neglected and lonely, with a heart searching for answers, Hamid star gazes in the hope of meeting his father. The number 786 always bewildered Hamid. One day a teacher tells Hamid that this is God’s number. Using his father’s old mobile phone, after trying different combinations, he finally manages to connect to a person, who he is convinced is God. On the other side is Abhay, a hard-knuckled CRPF Jawaan. Hamid’s phone call, though surprising at first, intrigues Abhay who engages in humouring Hamid. These two, unknowingly and unintentionally, change each other’s world for the better.

　　17 岁的埃克托尔与一只像他一样胆小、冷淡的小狗建立了牢不可破的友谊，这是少年感化院重返社会计划的一部分。小狗被领养后，伤心不已的埃克托尔逃出去寻找它，并在哥哥伊斯梅尔、奶奶库卡、两只小狗、一头牛和其他动物的陪伴下踏上了一段非凡的旅程。

　　When their son, Esben, moves out, Kjeld and Vibeke decide to relocate to a smaller home. They discover that the apartment they lived in back when they were students, is up for sale and agree to buy it and make a new start. Kjeld furnishes the apartment the way it was furnished back then, and for a while the two relive their sweet days of youth. But events take a turn neither of them had expected, when they wake up one morning, and find that they are actually thirty years younger. Written by Christian Tafdrup

　　瑞士导演弗里德里克·麦蒙（ Frédéric Mermoud）擅长执导恐怖片，他执导的惊悚题材电视剧《魂归故里》曾在法国大获成功。他的最新电影《摩卡》依然是关于一个犯罪的故事。艾曼纽·德芙（Emmanuelle Devos）饰演的Diane，儿子在一场交通事故中离世，而肇事司机逃逸。
　　在警方找不到更多有力证据的情况下，Diane 独自开始了寻找凶手的旅程，她唯一知道的线索就是凶手驾驶的一辆摩卡色的奔驰车。终于她找到了摩卡色车的司机——一位金色头发的女人。在与她接近的过程中，两个女人之间发生了更多关乎车祸之外的故事。而作为法国中生代演员中坚力量的德芙，也为影片贡献了精准而精湛的演技。

　　康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。
　　Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。
　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.