本片根据意大利真实事件改编而成。上世纪80年代初期，黑帮首脑多玛索·布西达从意大利移居巴西，然而远在意大利的自己的哥哥与孩子却相继被黑帮团伙杀害。为了惩治凶手，他开始与意大利警方合作，在两方的不断努力下，多玛索·布西达不仅抓住了杀害自己亲人的幕后黑手，并将意大利盘根错节的黑帮团伙连根拔起……

　　以洛科为首的一伙赏金猎人疯狂抓捕躲藏在美国犹他州utahn镇大雪山中的不法之徒。葆琳的丈夫成了洛科的最新受害者。于是她租来枪手“寂静”为丈夫复仇。“寂静”孩子的时候父母惨遭杀害，他还被割喉，所以他是一个哑巴枪手。

　　远离伊斯坦布尔的安纳托利亚，业已退休的戏剧演员艾登（Haluk Bilginer 饰）以专栏作家的身份展开了新的人生。他故作关心地日复一日撰写宗教类的文章，沉浸陶醉在自我所营造的看似深刻的思考世界里无法自拔。艾登用退休金经营一家旅馆，名下还有多处正在出租的房产，在与普通民众的接触过程中让他看起来多了一份虚伪和冰冷。妹妹尼卡（Demet Akbag 饰）早年离婚，经常蜷缩在艾登的书房内针对写作而争论，甚至彼此嘲讽攻讦。他的妻子尼哈尔（Melisa Sözen 饰）年轻独立，热衷各种公益事业。聚少离多且人生态度迥异的老夫少妻渐行渐远，感情出现裂痕……
　　本片荣获2014年戛纳电影节金棕榈奖。

　　哈斯的彩色电影，《萨拉戈萨手稿》的姊妹篇，个人觉得他的风格更适合彩色，此片要比《萨》更为出色。这是一次内心的历险。故事背景设在二战前期，一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中垂死的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵、殖民地的雇佣兵、昔日生活中的女孩，以及他的父母所包围...
　　获奖：波兰电影奖最佳产品设计奖
　　戛纳电影节评审团奖并提名金棕榈

　　The Indian version of The Godfather, with the focus on SARKAR, an Indian politician.
　　印度版的《教父》，可能会成为印度最成功的黑帮电影……
　　这里没有对与错，只有权利。Suresh Nagre是一位“Sarkar”，拥有一帮职业杀手，影响着法律标准的界定。他是权利的中心，他能够罢免内阁，并将其他人换上。他是笃信宗教的，但他不会因此而内疚。他可以成为毁灭性人物，只要他愿意，他可以让整个城市投入烈焰中。他的家庭由妻子，儿子Vishnu 和Shankar，及Vishnu的妻子和儿子组成。他的房屋就像是个堡垒，由忠心耿耿的匪军保护着。我们只能认为Sarkar是从天堂落入凡间的，因为没有其任何背景。此外Sarkar从不卷入被他帮助过的人士间的金融交易，甚至拒绝贿赂来避免非法运作的发生。而这必然导致分歧...

　　年轻的德国女警埃尔克在捷克边境一次例行车辆检查中无意间击毙了一个违抗了警方指令的捷克年轻人。埃尔克因此被警局停职调查，却仍旧坚信受害者行为不轨。一天晚上，死者的妹妹来拜访埃尔克，声称哥哥是无罪的，并指责埃尔克杀死无辜的人。第二天埃尔克因为无法承受的自责踏上了前往捷克的路。然而一切似乎并非看起来那样，埃尔克好像也踏入了陷阱……（豆瓣电影字幕翻译2.0小组）

　　无数人或许都向往着与魔法的不期而遇，如果有一天，魔法突然造访，你的生活会出现什么样的插曲？片中主人公，一个普通到不能再普通的人，过着平常到不能再平常的生活。突然一天，没有任何征兆地，一只白鸽就这么从他的洗衣机中飞了出来。从这之后，怪事接二连三地发生。魔法的到来打破了日常一贯的平静，然而并没有像大多数人希望的那样，生活似乎开始变得不那么容易了……（豆瓣电影字幕翻译2.0小组）

　　After Jason (9) is abandoned by his mother at a folk festival, he takes refuge in a forest cabin belonging to a mute loner. A series of circumstances eventually lead them to form a family - something both have lacked for a while.

　　住在同一家疗养院的布鲁诺和杜莎彼此相伴。但是，他们在一起的时光总是很快就被遗忘，因为两人都患有痴呆症。他们每次相见都像是第一次。吉廖拉·辛奎蒂的歌曲《我还年轻》唤醒了这段独特的关系，这首歌曾在20世纪60年代的圣雷莫音乐节上演出过——这是他们唯一的共同记忆，来自他们的青年时代。当布鲁诺独自一人时，回忆浮上脑海，他记起了患病之前的日子——他的家，他的妻子，他的狗，这一切其实都已经不在了。一天晚上，他无法找到自己的房间。他不小心走进了杜莎的房间，在她旁边睡着了。第二天早上，他们吵了起来，双方都试图证明对方上错了床，但这一切让他们重新发现了对彼此的感情。过了一会儿，杜莎穿着最好的衣服，在餐桌前等着布鲁诺一起吃早餐，但这种等待却是徒劳的。

　　《海墘新路》是2017年马来西亚电影，由苏忠兴自编自导，是一部关于其家庭的半传记电影。电影以1970年代的槟城（马来西亚北部华裔人口为多的繁华岛屿）为背景，是马来西亚首部电影全片只使用槟城福建话。片名《海墘新路》是槟城当地人對乔治市（槟城市中心）Victoria Street的称呼，福建话为Hai Kin Xin Lor。
　　经年未有回到家乡槟城的Sunny（李洺中 饰）终于这一个农历新年回乡见一见姐姐阿云（杨雁雁 饰）、两位姑姑以及旧同学。身为导演的Sunny一直都是家人引以为傲的存在，认为他事业有成、生活美满。
　　然而Sunny怀着的却是无法向他人道出的困顿，在现实与理想之间拉扯与挣扎，如今更为了开拍一部对他而言非常重要的电影而花光了经费。电影关于Sunny的孩提时代和家庭故事，其中包括一个不可告人、令Sunny蒙上巨大阴影至今的事故/悲剧，他对母亲感到无法理解，对精神病患胞兄更是有着莫大的怨怼。
　　面对着经费不继、外界的眼光以及自揭内心阴影与家庭疮疤的压力，Sunny凭着内心使命式的呼唤，咬着牙根撑了下去。这部电影是对母亲为家庭诸多牺牲的一种缅怀，更是一场必须完成救赎之旅……。

　　房产主安德鲁斯（安德鲁斯·索勒Andrés Soler 饰）打算拆除名下一幢旧楼，但聚居在此的贫苦人家不搬，发誓斗争到底。安德鲁斯去自己的屠宰场找工人比德洛（比德洛·阿门德里兹 Pedro Armendáriz 饰）帮忙。比德洛非常感谢老板给他工作，对安德鲁斯言听计从，马上搬进了他家的储藏室。安德鲁斯的老婆帕洛玛（凯蒂·乔拉杜 Katy Jurado 饰）经营一家肉铺，对肌肉发达又勤快的比德洛十分满意，不自觉地看上了他。与此同时，比德洛奉安德鲁斯之命趁夜去旧楼搞破坏，推倒了一个当面质问他的老头儿，被众人追杀，藏进了老头不知情的女儿米卡（罗萨·阿丽纳斯 Rosa Arenas 饰）家。比德络爱上了这位善良的姑娘，第一次开始思考老板口中的“禽兽暴民”究竟是谁……
　　本片获墨西哥电影电视艺术学院奖最佳女配角奖（凯蒂·乔拉杜），并获最佳摄影和最佳男配角奖（安德鲁斯·索勒）提名。

　　A vision of Colombia's inhuman armed conflict, seen through the eyes of a young - and pregnant - girl soldier.

　　亚历山大（米基·哈特 Mickey Hardt 饰）的父亲经营着一家香水公司，亚历山大拥有与生俱来的灵敏嗅觉，对香味非常的敏感，因此在事业上给与了父亲许多的帮助。一次偶然中，亚历山大邂逅了名为托尼（瓦莱丽·涅豪斯 Valerie Niehaus 饰）的美丽单亲妈妈，并且震惊的发现托尼的儿子雅诺士拥有着异于常人的嗅觉。
　　亚历山大想要培养雅诺士，帮助他成为一名调香师，但是托尼却拒绝了他。然而亚历山大并没有放弃，雅诺士自己也很愿意涉足香水这一行业。随着时间的推移，托尼发现自己渐渐爱上了亚历山大，而亚历山大和雅诺士共同研制出来的爱情香水也诞生了。

　　骄傲的女主人埃丝特被诊断出患有运动神经元病，身体每况愈下，因此她决定吞药自杀，独自静静地离开这个世界。她告知了每一个人，将大家聚在他们偏远的住地共度周末。大家最初也都同意支持埃丝特这个不容易的决定，但随着周末的进行，事情的解决渐渐变弱，堆积的冲突被激起，各自的秘密也被揭露。

　　一名娇生惯养的电子游戏玩家想要参加即将到来的比赛赛，但因为生病的母亲和一位古怪的阿姨，他不得不重新考虑事情的轻重缓急。

　　五个朋友在德国一个偏僻的地方长大，在即将完成学业之际，他们面临着重大的人生抉择——是留下，还是离开小镇去寻找广阔的天地。他们深入挖掘、了解彼此，却又若即若离；他们彼此相爱，却也爆发争执。影片虽是常见的青春和成长议题，但这部导演处女作以复古的画幅比例与独特的视角切入，辅以不落窠臼的角色塑造，用暴力、爱和孤独的碎片铸成万花筒，窥见相伴而行的亲密与痛苦。

　　Stefan finds that he can no longer tolerate the arrangement of his cheating wife ... he, the husband, gets her during the week and her lover gets her on the weekends. At the same time the wife finds herself increasingly drawn to the violence of her lover versus the adoration of her husband.

　　65-year-old Ganeshan has completely lost the zest for life after his wife's passing. But the news of his 7-year-old grandson Aadith's visit to India gives him a new lease of life. When all attempts to bond with the superhero fanatic Aadith fail, Ganeshan and his retired friends join in the madness of pretending to be a superhero league. The idea works like a charm. Little Aadith's excitement knows no bounds when he witnesses a secret meeting of this 'league'. Ganeshan is elated to receive his grandson's genuine affection for the first time. But the happiness is short-lived. The very next day a small girl gets kidnapped from their apartment complex. As the police start a preliminary investigation, Aadith turns to his grandfather with a glint of excitement in his eyes. He knows, just like any superhero, his 'thaatha' will solve the case in no time. Left with no choice, the old man turns to his ageing cronies. And thus, with aching knees, weak eyesights and greying hairlines, this League of Super (senior) Heroes is set upon their first mission.
　　老伴儿去世后，他为了取悦孙子而组建了一个假扮的超级英雄联盟。当麻烦出现时，他们却不得不在毫无准备的情况下采取实际行动。

　　纳粹时代结束十二年后，大多数公民还在纳粹政权的恐怖阴影中。总检察长弗里茨·鲍尔一直致力于纳粹罪行的举报。根据1957年的线索，他找到了前党卫军阿道夫·艾希曼的下落，鲍尔希望将艾希曼绳之以法。但他反复受阻，高级检察官乌尔里希和BKA员工保罗·格布哈特破坏鲍尔的进程……

　　Julian is a 12-year-old boy whose family is just scraping by in the Ruhr industrial region of Germany in the early 1960s . When his mother and younger sister go away for a while, he is left mostly alone in the apartment while his father works in the coal mine. He has to confront the confusing world of adults and older boys and the older girl next door on his own. Finally events build up and threaten to tear the family apart.

　　十部必看的希腊电影经典之一。如果想了解希腊文化尤其是音乐此片必看。1984年柏林电影节最佳导演银熊奖。
　　Considered to be one of the most powerful and emotional Greek movies, Rembetiko focuses on the life of an individual woman,a real person and through her personal story, it retells the story of Greece,from 1920 to 1955:the national disaster in Asia Minor,the one million refugees who came to Greece,the World War II,the Nazi occupation,the Civil War.The tragedy and the glory of a nation during the century.And all these bound with the music of rembetiko,the music of the outcasts.Great direction,great performances,great music.A voyage to history of the first half of the 20th century, but also a voyage to the origins of rembetiko.Realistic and dreamy.An original Greek epic.

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.