布莉（费莉西蒂·哈弗曼 Felicity Huffman 饰）是个性别倒错者，生就男儿身的他自幼认为自己应该是女人，因此成年后一直努力工作赚钱，一直接受荷尔蒙治疗，分步骤实行变性手术。就在最后一步正式“去势”的前夕，布莉接到来自纽约的意外消息，原来他有个儿子，是当年不小心的结果，如今快要成年，但当街卖身因此被警察拘留。布莉硬着头皮到纽约见到儿子陶比（凯文·齐格斯 Kevin Zegers 饰），隐瞒真实身份带他一路开车回家，一路相处布莉慢慢了解陶比对找到生父的执念，而陶比竟然爱上这位“大嫂”，这段古怪关系将以怎样的方式揭开真相……

　　两个演员，他们最初在拍摄期间，第一次体会到了爱情的滋味，但是当他们在一起后最终争吵结束。爱情的奇妙永远无法捉摸，命运安排他们再次相遇，这个时候的两个人已经都上了年纪。他们要怎么看待彼此呢？

　　老头子Woody（布鲁斯·邓恩 Bruce Dern 饰）收到一份广告，上面说他中了一百万大奖，对此他深信不疑，更决定从蒙大拿的比灵斯市步行到内布拉斯加的林肯市去领奖。他的妻子和两个儿子多次劝阻未果，最终小儿子David（威尔·福特 Will Forte 饰）决定开车载着他到林肯去领奖。去林肯的路上他们经过了Woody的老家，便决定去拜访那些久未谋面的亲戚们。Woody一家在那里短暂停留的几天里，整个小镇的人都知道Woody中了大奖，Woody顿时成了镇上的红人，接踵而来的是他的那些老债主们。David也渐渐了解了Woody那些不为人知的过去，对自己的父亲有了新的了解......

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

　　马修饰演报社的新闻版主编，莱蒙是他手下的王牌记者。这一天莱蒙正要离开芝加哥到纽约去跟他的女友展开新生活，但临时发生了一宗政治丑闻，马修用尽各种方法来挽留莱蒙采访这段新闻。整个情节就在两人的拉扯之间来表现报界中人对突发新闻的停不了的热爱心理，由此延伸了互相勾心斗角、你躲我寻的游戏。

　　当18岁的Hope突然发现自己处于癌症末期的缓解期时，她必须学着像不会有死亡来临一样的生活。

A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.                                    
                               Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.

　　在太平洋西北部的森林深处，与世隔绝，一位慈爱的父亲全心全意地试图将自己六个年幼的孩子培养成出色的成年人。但当灾难降临，他们被迫离开了自己创建的天堂，开始走向外面的世界。这不仅挑战了他对“家长“这个角色的理解，也让孩子们开始怀疑父亲所教给他们的一切。

　　警长吉恩家中关系紧张，他只能从情妇贝蒂那儿求得慰藉。贝蒂的前夫直升飞机驾驶员斯托米一直蒙在鼓里。另一对夫妇非尼根关系虽好，但他们的爱子凯西在生日前天却遭遇车祸死在医院。汽车司机埃尔的妻子多伦是女招待。多伦对埃尔的酗酒恶习深恶痛绝，一气之下不慎开车撞倒了菲尼根的儿子凯西。隔壁邻居路易丝一边给小孩儿喂奶，一边给提供SQ电话服务，这就是她的工作。她丈夫杰里对此十分反感，反而看上了女提琴师，年轻的佐伊。佐伊一直不嫁人，整日逼问母亲她父亲当年为何无故自杀。佐伊认为母亲有不可告人的事，郁郁而自尽。布什一家与凯泽一家一起去公园野餐。比尔和杰里抛下他们妻儿，去追赶两个骑着自行车的青年女子。他们好容易赶上了她们，想和她们搭讪。就在这一刹那，一场大地震开始了，正驾着直升飞机在城市上空盘旋的斯托米目睹了这一奇观。

　　故事发生在一间名为罗斯福的高中内，卡丽（迪·赫宁甘 Dee Hennigan 饰）是学校里的女秘书，最近，丈夫的古怪举动让她感到非常的不安，强烈怀疑丈夫背叛了自己，而丈夫最有可能的出轨对象，就是学校里的几何学老师戴安娜（Connie Nelson 饰）。为此，卡丽开始格外的注意戴安娜的一举一动，希望能够找到丈夫出轨的证据。
　　然而，很快，卡丽就发现自己弄错了，但在监视戴安娜的这段时间里，两人之间的感情突飞猛进，戴安娜深深的吸引了卡丽的注意，而趣味相投的两人很快就成为了无话不谈的好友。随着时间的推移，这种单纯的友谊渐渐发酵变质，当她们察觉之时一切都以为时已晚。

　　因为一个酒鬼的几句话，一个骗子一个女演员就甘愿帮一个要自杀的男的差点连命都不要了，而且这俩人最后莫名其妙还在一起了

　　伯特·法兰德（约翰·卡拉辛斯基 John Krasinski 饰）和维罗纳·德·泰桑特（玛娅·鲁道夫 Maya Rudolph 饰）是一对恩爱夫妇，维罗纳怀孕了，因此二人需要找到一个最适合的地方，安家，抚育即将到来的子女。他们首先想到投奔伯特父母，却不巧遇上二老决定出门旅行，他们继续走过亚利桑那州、威斯康辛州，寻找许多故交、亲属，也目睹家家有本难念的经。在走过一站又一站的过程中，两个人的感情愈发相笃，愈加意识到彼此都是唯一，也许将来也会遇到所见其他夫妻那样的问题，也正是这些真实故事，更利于他们找到幸福，兜兜转转，他们最终的家到底在何方……

　　杰克（艾迪·墨菲 Eddie Murphy 饰）有一张刀子嘴，为了达到目的，他什么样的话都能说得出口。因为这张嘴，他失去了许多的朋友却并不以为意。一日，杰克的诳语得罪了辛加博士（克利夫·柯蒂斯 Cliff Curtis 饰)——一位神秘的宗教领袖，为了让杰克明白自己的缺点，他召唤来了一颗菩提树。
　　辛加告诉杰克，菩提树上有一千片叶子，杰克每说一个单词，就会有一片树叶凋落，当树叶掉光之时，就是杰克的临终之日。突然被剥夺了自由说话的权利的杰克痛苦不已，失去语言的庇护反而让杰克懂得了“谨言慎行”的真正含义，随着时间的流逝，杰克也开始明白，有些话不能乱说，可是有些话却不能不说。

Followahaplesshunchbackwhoyearnsforlove,butfindshimselfinthemiddleofamurderousfeudbetweenthePopeandthekingofFrancewheneachordersthehunchbacktokilltheother.

　　劳伦斯（丹尼斯·奎德 Dennis Quaid 饰）是一名要求严苛的中年教授，虽然心地善良，但他拒人千里的气质使得学生对其厌烦，儿子和女儿也日渐对其冷淡。自从妻子去世后，独自抚养两个孩子的他就变得更加烦躁和无奈。一天，劳伦斯意外从栅栏上摔下来，被送进了医院，并得知负责他康复的女医生珍妮特（莎拉·杰茜卡·帕克 Sarah Jessica Parker 饰）原来是他曾经教过的学生，不过他已经记不清楚了。在频频约会后，劳伦斯发现自己似乎爱上了珍妮特，然而却深知自己仍在妻子逝世的阴影之下徘徊。面对眼前他不舍放弃的女子，似乎是爱情让这个老男人又开始尝试改变，尝试敞开心扉，尝试一个新的自己……

本片将聚焦一个古巴裔美国家庭，围绕一位准新娘的父亲如何面对女儿的婚礼展开。

　　本片是以前任ICE情报局探员Matt Helm（迪恩·马丁 Dean Martin 饰）为主角的系列电影第四集（总共有四集）。
　　这次麦特的任务是解救世界经济危机。

暂无剧情简介

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