哆啦A梦:大雄的太阳王传说
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简介:

在一次偶然的情况下,大雄(小原乃梨子 配音)与多啦A梦(大山羡代 配音)穿过秘密通道时空圈,闯进一个森林中古代文明的国度——玛雅王国,他们遇上跟大雄长得一模一样的迪奥(绪方惠美 配音),迪奥是玛雅王国的王子。迪奥王子的母亲中了魔女娜汀拉(唐泽润 配音)的诅咒,长眠不醒。为了救母亲,迪奥王子一定要打败娜汀拉。因此在森林中修炼。迪奥王子从大雄口中得知现代日本的事,便对日本产生兴趣,所以迪奥便希望与大雄转换身份,到日本修炼。大雄便成为了王子;王子就成了大雄,各自展开不一样的生活,最后迪奥在日本认识了技安等人,他们一起去对抗娜汀拉,究竟他们能否打败娜汀拉救迪奥的母亲……本片是为了纪念哆啦A梦诞生30周年而制作的,是哆啦A梦电影系列第21部作品。

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主演:费翔,李雪健,黄渤,于适,陈牧驰,娜然 ,此沙,武亚凡,夏雨,袁泉,王洛勇,侯雯元,黄曦彦,李昀锐,杨玏,陈坤,许还山,高曙光,冯绍峰,杨立新,丁勇岱,高冬平,徐冲,韩鹏翼,单敬尧,吴汉坤,百力嘎,刘乐,许翔,刘涵,徐菲,孙睿,耿业庭,金志浩,屈愉超,黄涛,樊汶东,姜宝成,阿仁,米铁增,僧格仁钦,马文忠,宁文彤,张经伟,杨添皓,李泽宇,夏晨旭,宋宁峰,俞颖,吴超,杨大鹏,赵磊,张振煊,宋渡宇,文波,图门巴雅尔,慕晓博,春晓,其勒木格,张雪菡,钱波,巴雅尔图,吴兴国,那尔那茜,刘潮,张艺泷,孙煌辰,艾力江·
简介:

  商王殷寿(费翔 饰)勾结狐妖妲己(娜然 饰),暴虐无道,引发天谴。昆仑仙人姜子牙(黄渤 饰)携“封神榜”下山,寻找天下共主,以救苍生。西伯侯之子姬发(于适 饰)逐渐发现殷寿的本来面目,反出朝歌。各方势力暗流涌动,风云变幻端倪初显……

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主演:费翔,李雪健,黄渤,于适,陈牧驰,娜然 ,此沙,武亚凡,夏雨,袁泉,王洛勇,侯雯元,黄曦彦,李昀锐,杨玏,陈坤,许还山,高曙光,冯绍峰,杨立新,丁勇岱,高冬平,徐冲,韩鹏翼,单敬尧,吴汉坤,百力嘎,刘乐,许翔,刘涵,徐菲,孙睿,耿业庭,金志浩,屈愉超,黄涛,樊汶东,姜宝成,阿仁,米铁增,僧格仁钦,马文忠,宁文彤,张经伟,杨添皓,李泽宇,夏晨旭,宋宁峰,俞颖,吴超,杨大鹏,赵磊,张振煊,宋渡宇,文波,图门巴雅尔,慕晓博,春晓,其勒木格,张雪菡,钱波,巴雅尔图,吴兴国,那尔那茜,刘潮,张艺泷,孙煌辰,艾力江·
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主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:

  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
  
  Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
  
  Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
  
  Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
  
  Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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