单身派对上的4个家伙从一个地铁站下车，这个地铁站在70年代就已经关闭，目睹了惨遭杀害的警察之后，他们几个也开始逃命.
天生不能说话的比莉（玛丽娜·奇蒂娜 Marina Zudina 饰）是一名道具师，她的工作是为小成本恐怖片提供道具，虽然身体上有缺憾，但有一个关心她的姐姐让她的生活充满了温暖。一天收工后，她为了取回落在拍摄现场的道具而折返，却被锁在了片场。无聊的她四处转悠，无意之间闯进了一部色情片的拍摄现场，令他没有想到的是，在转瞬间，色情变恐怖，女演员活生生的杀死了，而凶手手中的镜头，如实的拍下了这血腥的一幕。比莉报了警，警察前来搜索却一无所获，凶手坚称吓坏了的比莉将假戏看成了真做。 事情并没有结束，原来，凶手系俄罗斯黑手党成员，专门拍摄这种真实的暴力电影来满足顾客的特殊需要。事件平息后，他们立刻展开了针对比莉的灭口行动。无法开口的比莉，只有通过自己的智慧和行动来揭开这场事件的真相。
女记者安吉拉（Manuela Velasco 饰）和摄影师帕布罗（Pablo Rosso 饰）计划拍一部描写消防员工作的纪录片。接到报警电话后，他们随消防队来到一幢老式的公寓。公寓内似乎有某种致命的病毒在蔓延，感染者莫不心性癫狂，嗜血如命。住户被紧急疏散，死亡人数则不断增加。原本以为是一次平常的采访，却没想到通过摄像机拍下了真实而恐怖的场景…… 本片荣获2008年阿姆斯特丹奇幻电影节Silver Scream奖、2008葡萄牙奇幻国际电影节最佳影片和观众票选奖、2008西班牙戈雅奖最佳编剧和最佳新人女主角等多个电影节奖项。
萨曼莎的母亲去世后，她悲痛欲绝又怀着身孕，科琳的突然出现让她精神振奋。科琳是萨曼莎失散已久的祖母，她突然出现，减轻了萨曼莎的痛苦，并引导她度过了怀孕的起起落落。尽管她最好的朋友艾米和她的丈夫布拉德提出了警告，萨曼莎还是一头扎进了她的新恋情。一切都很好，直到科琳黑暗的过去显露出来，她被迫为自己和家人的生命而战。
魔鬼卡车有巨大的车轮、钢铁车厢和超强功率，可以碾碎任何挡在它前进路上的东西!在荒无人烟的1-55地区，有一辆魔鬼卡车赋予这个名字新的意思，不只卡车是恐怖的，还有它的司机。两名大学生开车误入魔鬼卡车的通道上，他们要担心的不只是充满了被截肢的乡巴佬的酒吧，还有这辆魔鬼卡车和他的主人......
故事发生在位于婆罗洲的原始丛林中，比尔（约翰尼·梅辛纳 Johnny Messner 饰）带领着他的探险小队穿行于其中，寻找着一种名为“血兰”的珍稀植物。在记载中，血兰拥有着能够使人长生不老的神秘力量，“几乎从未有人获得过它”的传闻也令血兰逐渐成为了传说。这一次，受一家著名的医药公司所托，比尔一行人决定揭开血兰的神秘面纱。 在离目标越来越近的同时，危险也不期而至。血兰的力量没有使人类返老还童，却将一群蛇类变得凶猛而恐怖，为了挪动巨大的身体，它们不得不吃下比以往多达数倍的食物，而此时冒昧来访的人类，成为了它们最好的猎物。一边是丛林中恶劣的生态环境，一边是穷凶极恶的食人恶兽，同伴们一个接着一个的悲惨死去，比尔最终能够自保，并且挽救更多的生命吗？
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
Allan自一场意外事故后沦为自暴自弃的神经机能发生障碍者，友人致力于动物智力开发研究，并将一研究对象Ella，一只聪明的猴子赠予Allan，聪明的Ella肩负起起Allan的生活起居。但好景不长，猴子Ella开始显露出强烈的控制欲和疯狂的报复心，甚至伤害了Allan至亲的人。最后，Allan又能否走出这一困境呢?
《玛丽·塞利斯特的秘密》拥有很强的悬念性，画面真实自然，人物形象刻画入微。贯穿整部影片的悬念到最后才得以解开。导演以细致的人物心理刻画，使得这部经典影片即便在当今看来，也绝对让人匪夷所思！ 玛丽·塞利斯特号商船满载货物准备离开纽约港前去意大利，船长本杰明要妻子萨拉一同前往，本杰明向萨拉描绘了大海的美丽，红色的黎明，成群的白帆和美妙的夜晚。本杰明的描绘彻底消除了萨拉对出海远行的恐惧。 另一只商船的吉姆船长也爱着萨拉，他和本杰明原是好友，因同时爱上萨拉而不欢而散。商船将要启航，水手不够，本杰明找吉姆帮忙，吉姆不怀好意的派人上了“玛丽”号，他要本杰明到不了目的地。船员安顿和“玛丽”号副船长威尔逊有过节，他也随同商船一起出发了。海上起了风暴，商船在暴风雨中飘摇，有船员葬身海底，安顿告诉萨拉，商船起航就潜藏着危险，注定有死亡，萨拉感到非常害怕，接着发生的事情更是令她心惊胆颤，船员一个接着一个被杀，死亡笼罩着“玛丽”号，本杰明船长和萨拉也失踪了，只有威尔逊和安顿活着。真相终于大白，这一切都是安顿为了报复造成的，安顿开枪打死了威尔逊，自己也神智不清的跳入大海。吉姆的商船发砚了在海上漂流的“玛丽”号，可是船在无人。
一名警察在接到人质报警后行动中杀死了一名非裔嫌犯，后来才知道他是无辜的。深刻审视自己根深蒂固的种族歧视，并意识到这是一场阴谋后，他决定继续将案件追查到底。
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
《哭泣的游戏》的导演尼尔·乔丹名声大躁之作。鲍勃·霍斯金斯凭本片囊括戛纳、金球、英国学院奖等的男主角奖。 简介：本片描述一个现实社会的失败者乔治，他代人受罪，入狱七年。出狱后，妻子不要他，甚至不让他接近女儿。他在走投无路之下，接受了一份工作——担任高级黑人妓女西蒙的司机兼保镖，他们从互相敌视到相互倾心，最后乔治把她当作圣女一般爱上了她。此片男主角鲍勃．霍斯金斯，由于生动而细腻地演出，获得多项荣誉。
大明洪武年间，丁武和蒋瑍是锦衣卫内一对亲如兄弟的小旗官，一个家有怀孕的老婆，困于茶米油盐；一个爱上了青楼女子，在平凡的职场中等一个上位的机会。两人奉命调查一桩连环杀人谜案，牵出一起重大贪腐案，紧要关头，线人被杀，线索屡屡中断，锦衣卫内藏有内鬼。丁武压力巨大，开始怀疑自己，也开始怀疑行踪诡秘的兄弟。
