童眼粤语

　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.
　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.
　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

　　Regine, a psychologically fragile young woman, is hiding away in the city, far from the dark and forbidding countryside of her traumatic childhood. She's struggling to construct the loving family she never had, and to rise above the events of the past: above all, the disastrous home birth of her brother Isaac, which led to her mother's insanity and Isaac's apparent death. But the city is tense and hostile, and contains its own threats. An abusive relationship with the controlling psychiatrist who's treating her mother is already blighting Regine's life when the brutal murder of her grandmother raises a crucial question: is Isaac still alive, and looking for revenge against a family which he feels has rejected him? Driven to heal the wounds of the past and to reunite her family by connecting with the brother she's never met, Regine must return to the site of her previous traumas and confront the true source of her family's guilt. It could make sense of her life - or throw it into ...

　　记者保拉为了追求杀害男友里沙尔的真正凶手，来到了亚特兰提克城，这是一个深受美国文化影响的地方，之后出现了一大堆像唐纳德、里查德、维德马克、多丽斯.沟口……有着怪名字的怪人。保拉在追寻真相的过程中，还卷入了政治阴谋和黑帮事件中。
　　法国新浪潮电影大师戈达尔把美国好莱坞黑帮电影的所有元素用在这部非常刻意的政治恐怖片中，明显向该类型的大师萨缪尔?富勒、尼古拉斯?雷、霍华德?霍克斯等做了模仿式的致敬，片中还涉及许多真实的政治背景和暗杀事件。整部影片虽然显得情节荒唐，较为做作，但导演通过流行音乐（其中一首是《北非碟影》中的“时光流逝”）、广告插画、气氛处理等方法展现深受美国流行文化影响和主导下的法国社会景象。以《美国制造》为标志，戈达尔的政治批判意识进入其后期阶段。他将电影的叙事惯例当作现实政治在电影艺术门类中的主要表现而加以痛烈的反对。为此，他对电影的表现手段进行了极富挑战性的探索。

　　儿子约瑟夫的死亡让杜勒一家人陷入了无尽的悲痛之中，父亲整日里紧锁眉头，而母亲则坚持相信儿子并没有离去，而是会化身为精灵再度回到她的身边。压抑的家庭气氛让小女儿西朗特倍感孤独，没有人关注她的感受。一天，表妹弗朗西斯（Elizabeth Earl 饰）暂时住进了西朗特的家中，她的父亲即将奔赴战场。
　　弗朗西斯的到来让西朗特终于重拾了快乐，两人成天待在一起，消磨着彼此的时间。约瑟夫生前十分沉迷于对于精灵的研究，甚至为精灵们搭了一座小小的城堡。在弗朗西斯的强烈要求下，西朗特带着她进入了花园，开始寻找精灵的踪迹。让两人没有想到的是，她们竟然真的找到了精灵，不仅如此，还拍下了照片。

　　Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions: What is truth? What is heroism in the time of war? And all the while he fails to see the mounting danger before him.

　　德里监狱一条街 打听打听谁是爹

　　密闭的空间内，七个男女被监禁于此。他们头上套着巨大的动物面具，双手被手铐牢牢锁定。傲慢、嫉妒、愤怒、懒惰、贪婪、饕餮、好色，背负着这七宗罪的狼男（濑户康史 饰）、狮子女（有村架纯 饰）、狐狸男（佐藤二朗 饰）、大熊（平良和义 饰）、兔女郎（西丸优子 饰）等人不得不参加一场死亡审判的游戏。规定时间内，他们必须相互问询探究彼此的出身背景，然后所有人票选出“罪行最重”的人，对之作出死亡审判。全无其他逃生希望，七个罪人只能按照游戏规则行事。游戏渐趋疯狂，丑陋的人性显露无疑……
　　本片根据外海良基累计销售量超过170万册的同名漫画改编。

　　“心藏秘密的男人最可怕，心藏秘密的女人最诱惑。"影片《生死竞赛》中这样说。
　　Ranvir(赛义夫·阿里·汗)和Rajiv(阿克夏耶·坎纳)是同父异母的兄弟，二人喜好赛马，并共同经营着一个马场。虽说两人是兄弟，但性格却有着极大的反差，哥哥Ranvir生性善良，弟弟Rajiv却嗜酒如命。然而为了2亿美元的财产，两兄弟逐渐反目。一场斗智斗勇的悬疑故事由此展开……

　　红色连衣裙的女人 Perempuan Bergaun Merah

　　故事发生在美国境内，一场原因不明的病毒侵袭了美洲地区，使死人复活并猎杀活人。很长一段时间后，丧尸虽然还在横行街头，但人们似乎逐渐忘却了他们的恐怖，并开始了新的生活。此时美国成立了一只“丧尸专杀队”来消灭存活的丧尸。政府以为这样就可以维持人类的秩序，可他们错了，丧尸的数量并没有因此而减少，反而更激起了其嗜血兽性，并被某个神秘邪教组织变相利用... ...丧尸专杀队员们不仅要面临死人的威胁，还要提防人心的背叛，他们到底如何才能脱离险境？

　　剧情描述一个恬静田园小镇的人口数经过百年后仍旧只有436个人。一位人口普查员奉命去调查此镇人口数百年不变的原因，调查过程中渐渐招致不可知的厄运......