作家的谎言：笔忠诱罪

　　十四岁的约翰从小就生长在修道院中，没有亲人，亦没有过去。一天，一位神秘的妇人安吉拉（玛利亚·若奥·巴斯托斯 Maria João Bastos 饰）找到了约翰，声称自己是他的亲生母亲，并且向约翰讲述了她曾经的故事。
　　安吉拉是侯爵的女儿，她和伯爵之子席尔瓦（何塞·阿方索·皮蒙特尔 José Afonso Pimentel 饰）相爱，遭到了父亲的强烈反对。然而，叛逆的安吉拉并没有屈服，她腹中怀着席尔瓦的孩子，决定与其私奔。暴怒的侯爵派出杀手刺杀席尔瓦，甚至连安吉拉腹中的胎儿也不放过，幸运的是，安吉拉得到了一位神父和令一位神秘人的帮助，约翰才得以长大。成年之后，约翰来到巴黎，遇见了一位贵妇，他答应帮助贵妇找到杀死她哥哥的凶手，让约翰没有想到的是，这名凶手竟然正是当初帮助过他和他母亲的神秘人。

　　摄影师増岡（塚本晋也 饰）性格压抑，对人类的恐惧有浓厚的兴趣。一日他凑巧拍下了陌生男子阿礼在地铁刺瞎自己的右眼，増岡反复研究录像，并为实地考察阿礼自残的原因回到现场，他从地铁的设备管道深入地下，惊见已经泯灭的地下文明遗址，并带回一名被锁在遗迹中的赤裸女子。
　　増岡称女子为“F”，自此他和F同居一室，并每天工作时借视频手机观察F的举动，F不吃不喝，生命逐渐垂危。増岡偶然发现F吸食血液，于是割伤自己为其续命，不久増岡即发展到杀害陌生女人取血的地步。但F在人类世界难以生存，逐渐麻木的増岡在同F的关系中体味到了真正的恐惧……本片获2005年布鲁塞尔国际幻想电影节金乌鸦奖。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　一个执法者不得不牺牲一切来拯救一个年轻的女孩，这个女孩是他从他的女老板那里结识的，她参与了网络性交易。

　　安德烈·艾弗道夫([无名女尸])接替吉尔莫·德尔·托罗执导[在黑暗中讲述的恐怖故事]，丹·哈格曼、凯文·哈格曼操刀剧本，CBS负责影片制作。而托罗将担任制片人。该片根据艾文·施瓦兹的同名小说改编，故事围绕一群年轻人展开，小镇频发死亡事件，他们必须找出背后的秘密。本片明年夏天开拍。

　　二战后，美国作家马丁（约瑟夫•科顿 Joseph Cotten 饰）应好友哈里（奥逊•威尔斯 Orson Welles 饰）邀请到维也纳工作，岂料刚到达目的地就传来了哈里车祸身亡的消息。哈里葬礼上，马丁遇到了当地军官卡洛维，卡洛维很不客气的请他马上离开维也纳。马丁没有理会，决心留下调查出好友死亡的真相。
　　马丁找到哈里的女友斯科姆特小姐（阿莉达•瓦莉 Alida Valli 饰）一起调查事件的真相。随着调查的深入，他们发现内幕越加扑朔迷离，首先是他们的房东遇害，接着马丁自己发现被人跟踪，而且他查出哈里死的时候还有个第三人在场。于是，一切关键就在于找出这个神秘的第三人。

　　Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

　　Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions: What is truth? What is heroism in the time of war? And all the while he fails to see the mounting danger before him.

　　清贫的女学生彩子因生活所迫与供职于高校的医学副教授泷川亮吉（小泽荣太郎 饰）结婚，然两人性格年龄皆有较大差距，婚后生活并不和谐。泷川的学生幸田（川口浩 饰）适时走入他们的生活，这让彩子既感欣慰，有承受更大的痛苦。
　　夏日某天，泷川同妻子、幸田去北穗高泷谷攀岩。泷川失足滑落，三人性命危在旦夕，彩子最终割断绳子，致使泷川坠崖身亡。事后彩子被捕，法庭上双方围绕彩子是否蓄意谋杀而展开激烈的辩论，作为当事人的彩子和幸田，也不得不去面对内心的真实感受……

　　记者素妍接到连续杀人犯尚俊的电话，表明接受采访。她带上摄影师，依约来到藏身处。尚俊威胁摄影师不准中断录影，接着开始说明杀人的理由。尚俊深陷在自己的说词里无法自拔，也揭露了这一连串罪行将如何落幕。杀人、强暴、混乱、恐怖，惊惧交加的素妍只能设法厘清状况，避免可怕的命运降临在好友还有自己身上。

　　转
　　Monster Shark（红海魔影）
　　剧情大概：
　　两个游客在海上钓鱼时突然遭到一个巨大的水下怪物的袭击，其中一人死亡，整个下半身都被吃掉了。科学家在对其身上的齿痕进行检查时，发现这种齿痕只有一种凶残的原始恐鱼才有，而这种凶残的鱼早在几百万年前就灭绝了！ 类似的怪物袭击案接连发生，海滨居民陷入一片惶恐之中。
　　有人调查发现，是某科学家利用海豚的智慧、章鱼的力量、还有原始恐鱼的凶残性格等多重基因，将其综合移殖到一条大鱼的身上，使它变成了一个恐怖的水下怪物…… （此片就算不介绍大家也应该知道吧，兰帕德·帕瓦的成名作，央视早期引进的为数不多的恐怖片之一，正大剧场放映的超人气作品，虽然不及黑色的遗产有名……）
　　片子为法国和意大利合拍片，原名为Shark rosso'nelloceano，引进美国后改名为Monster Shark

　　又是一年万圣节到来，青年男女涌上街头，纵情娱乐，狂魔乱舞。妖冶女孩安吉拉（香奈儿·伊丽莎白 Shannon Elizabeth 饰）通过邮件通知大家参加万圣节派对，举办地就设在布鲁萨尔德庄园，麦迪·柯迪斯（莫妮卡·金娜 Monica Keena 饰）、莉莉（迪奥拉·贝尔德 Diora Baird 饰）、苏珊娜（波比·苏·卢瑟 Bobbi Sue Luther 饰）等女孩应邀前往。该庄园曾经发生过恐怖的事件，前主人刘易斯（Michael Arata 饰）的太太伊凡杰琳（Tatyana Kanavka 饰）吊颈自杀，血溅满地，这个传说恰好在万圣节吸引了无数寻求刺激的时尚男女。然而就在派对最高潮时，恐怖事件接连发生，似乎青年们的欢声笑语搅扰了这座房子里沉睡的恶灵……
　　本片翻拍自1988年的同名作品。