The trials and triumphs of Malti, an acid attack survivor. From the investigation of the attack to the court proceedings, the medical treatment to the emotional healing. Chhapaak is the story of the unquashable human spirit.
中年男子村木哲郎(寺田农 饰)所有的出版社因经营不善倒闭,拖欠黑社会的高利贷无法偿还,妻子良子(志水季里子 饰)因此遭受黑社会的强暴。自暴自弃的村木决定自杀,在此之前他找来年轻的应召女郎土屋名美(速水典子 饰),对其进行粗暴的凌辱。村木原打算强迫名美一同赴死,但在最后时刻打消了念头。 两年后,村木当上出租车司机,辛苦打工还债,与良子的关系则若即若离。某晚,名美乘坐村木的出租车,并企图在海边自杀,最终为村木救下。此时的名美正因和上司太田(益富信孝 饰)的不伦之恋而烦恼,村木的出现再一次改变了她的生活……
奶奶因中风后阿兹海默症的自费药成了陈浩志的经济负担,他开始从事同志按摩来维持家计,起初只把按摩当工作的他渐渐发现对男性的身体有一种本能上的慾望,他开始流连在这些关係裡。然而,这样自以为家庭、工作、自我,能三全其美的状况下,却演变成更失衡的关係,让陈浩志陷入了更大的纠结与混乱。
1962年冬,焦裕禄(李雪健)被派往灾荒严重的河南省兰考县任县委第二书记,眼见街上成群结队的乞丐、纷纷逃亡外地的饥民,他心情十分沉重,下决心根治长期困苦兰考百姓的风沙、水涝和盐碱“三害”,不久,他在多次深入基层做调查研究的基础上,制定出治理“三害”的方案。但他深入群众的工作方式招致县长、县委副书记吴荣先(李仁堂)的不满。 升为县委书记后,焦裕禄不顾肝脏经常胀痛,几乎每日都坚持去治理“三害”第一线工作,很得人民爱戴,吴荣光指使人就某件事借题发挥想将焦裕禄整垮,结果全县群众聚在一起为他鸣冤。其后兰考遭遇特大水灾,焦裕禄的肝病虽然已到晚期,仍坚持去抗灾第一线。
多年前在地震中失去了妻儿的沙基布,是一个无家可归的工人。几年前,一位聋哑妇女拉丹走进他的生活中,让他慢慢从阴影中走了出来。沙基布现在工作所在的建筑工地是一部电影的取景地。为了参演这部电影,他不顾一切代价寻求机会并得到了一个角色。拉丹知道这件事后,来到了沙基布的工作场所乞求庇护。然而,拉丹的到来却很可能毁掉他这个千载难逢的机会……
The story of La Maison revolves around 27-year-old Emma, a French woman who heads off to live in Berlin and decides to spend some time in a brothel so as to learn about and understand sex workers – women who are paid to be women and that alone, and who are set to form the focus of her new novel. In gonzo journalism style, Emma becomes one of them and ultimately remains with them for two years, despite only intending to stay for several weeks. Was writing her book simply a pretext for Emma to live out the type of fantasy that’s hard to admit to in our society? From one bedchamber to another and from one woman to the next, the film guides us through a “forbidden” world.
日以作夜是一个电影技术术语,意思是指在白天拍摄夜景,本片讲的就是一个电影拍摄过程中的故事。电影《Meet Pamela》正在如火如荼的拍摄中,导演Ferrand(弗朗索瓦•特吕弗 François Truffaut饰)不仅要处理电影拍摄的事情,还要忙于照顾演员们的情绪。其中就有脆弱敏感的男主角Alphonse(让-皮埃尔•利奥德 Jean-Pierre Léaud 饰)的感情问题,还有精神受挫的女星Julie Baker(杰奎琳•比塞特 Jacqueline Bisset 饰)。电影还要赶在约定的时间之前完成,拍摄的进展也不甚顺利,一切看起来如此糟糕,《Meet Pamela》还能拍完吗……本片精彩地以“戏中戏”的结构展现了一部电影拍摄的过程。 本片获1974年奥斯卡最佳外语片奖。
阿暘(東明相飾), 一個從出生開始, 就因為家族遺傳失去了聽力, 從此生活在寂靜的世界裡, 阿暘和患有輕度聽障的玥雯(嚴藝文飾)結婚之後, 兩人生下了女兒-星星(吳若湄飾), 在國小二年級時被發現聽力有逐漸喪失的跡象, 星星被迫離開學校的合唱團, 阿暘明白星星對於可以聽見的渴望, 為了星星裝置人工電子耳的龐大費用, 他決定放手一搏。
町田君是家里的长男,承担了全部家务,包括照顾弟妹。 町田君是班里的学生,成绩真的很一般,文法都不太会。 町田君是个温柔的人,不假思索给予援助,这能算一项特长吗?
It is Friday night and five friends gather at a house in rural Australia. Their parents are out of town and it is time to celebrate the end of another school week. No big deal; just a few drinks, a few laughs. As the night grows later, the teens reach a state of alcohol-induced openness. They reveal secrets, crushes and an unintentionally cruel streak. The final year of high school can be paradoxical. Having found some passions and close friends, you often begin to understand your own identity for the first time. And yet, still so young, you can't deny that you've so much to learn about yourself and the world. Maybe, despite thirteen straight years of schooling, you kind of don't know anything. A tribute to an awkward phase that we have all made it through and have powerful memories of, About An Age is a nostalgic coming-of-age film. With charm and authenticity, it examines themes of responsibility, first love and the passing of time via one single evening shared by a group of playful mates.
1942年,阿尔奇·格拉斯正试图进入好莱坞,想实现他的好莱坞之梦,而这也开始了一段你从未见过的黑人洛杉矶之旅
根据真实故事改编:一对著名夫妇双重谋杀案震惊了整个社区,当地警方也在努力寻找凶手。当黑暗笼罩全城时,新来的牧师艾伯特必须帮助他的教会和家庭克服余震,提供稳定、疗愈和希望,而他的妻子艾美必须通过她的信仰来克服自己的恐惧。
佐伊·卡赞将加盟导演布莱恩·伯蒂诺的最新恐怖片[THERE ARE MONSTERS],卡赞在片中会突破以往形象饰演一位母亲,她的女儿丽兹遭遇怪物的绑架和折磨,最终,只有母爱的力量才能将她们拯救。预计2015年上映。