去死吧，我的爱

　　Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.

  艾比（帕兹·德拉维尔塔 Paz de la Huerta 饰）是一名护士，也就是我们通常所说的“白衣天使”，在工作时间里，她接待病患温柔有理，处理工作认真负责，是上司和同事眼中的楷模。然而，所有的人都有秘密，艾比也不例外，只是，恐怕很少有人的秘密能像艾比的秘密那样充满了热气腾腾的血腥味。
夜幕降临，心中的仇恨将艾比从天使变为恶魔，她要用痛苦和鲜血让那男人们懂得他们与生俱来的原罪。丹尼（卡特里娜·宝登 Katrina Bowden 饰）是医院中新来的护士，艾比对这位年轻美丽的姑娘十分中意，可惜丹尼并无此兴趣。随着时间的推移，丹尼逐渐开始在意起了艾比的可疑举动，她和他的男友亦就此成为了魔鬼爪牙下的新鲜猎物。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14?

　　一位从越南归来的美国老兵，在路易斯安娜的家中发现老婆与别人偷情。愤怒的他受到一种奇怪的鸟叫声驱使，杀死了老婆与她的情人，结果自己也被怪鸟硬生生啄去了双眼。多年后，一群年轻的大学生到美国路易斯安娜某处寻找一种罕见的鸟类，结果被困在一所荒郊野岭的房子里。而更令他们没想到的是，那里除了有怪鸟之外还有大量丧尸！

　　凯莉卡伯不了解她的丈夫－罗杰，为何锺爱这幢世袭的房子，甚至他同父异母的兄弟，出高价都不为所动。或许是他的祖父立过血誓永不变卖，罗杰也不愿违背誓言。突然间一切都改变了，罗杰被车子撞死，十三岁的女儿劳莉因此瘫痪，凯莉搬进老屋抚养女儿，远思亡夫。但房子隐藏著某种邪恶的力量紧追著她，黏土从水龙头流出；地窟传来呻吟的声音。凯莉被搞得精疲力竭，一幢古怪传统的房子，频有幽魂作怪。一连串阴森反覆无常的恐怖事情即将展开…。

　　A woman and her brother seek revenge against a mysterious stalker.

　　巨大顔面怪物ヨシエの恐怖を描いたホラーゲーム「デスフォレスト」の実写映画化第3弾。東京近県の静かな町に暮らす女子高生の内田真由は、義父からの暴力に耐えかね、東京に住む叔父の家を頼りにと家出を計画する。東京行きの最終バスに駆け込もうとした真由だったが、直前に薄気味悪い老婆に邪魔をされてバスを逃してしまい、仕方なく徒歩で峠を越えようと歩き始める。一方、真由の叔父でフリー記者の内田一輝は、人を襲う巨大な顔面の怪物ヨシエの正体を探っていた。そんな折、姪の真由が家出をしたという電話が入り、捜索を開始。山道で真由の携帯電話を見つけるが、そこに残された画像にはヨシエが写りこんでいた。主人公・真由役は「私立恵比寿中学」元メンバーで、映画「罪の余白」などに出演する宇野愛海。

　　一个脱衣舞厅老板和一个美甲师发现他们有很多共同点。最重要的是，他们都是变态连环杀手。他们相爱了，并且成为一起杀人的快乐家庭。直到有一天，他们遇到了一个水管工，而他碰巧是个食人族……

　　本片讲述一个12岁的完美主义女孩发现了一个奇怪的蛋，她把蛋藏起来不让苛刻的母亲看到。而当蛋孵化时，一个像鸟一样的生物出现了。

　　剧情:
　　这是个诡异的故事，画家约翰和妻子艾尔玛居住在荒凉的孤岛上，画家经常为怪诞的梦境困扰，醒来他总是将梦境绘在速写本上。妻子有天碰到了一个精灵般的老婆婆，催促她去读约翰的日记，看后她发现了丈夫的秘密，后来，日记里描绘的城堡主人梅堪约他们做客，在城堡里艾尔玛发现了这些人曾经出现在丈夫的速写本上。回家路上，艾尔玛恳求丈夫远离那些人，而画家一言不发走了。回到家中画家对妻子承认在悬崖边杀害过一个孩子，第二天，城堡里神秘的访客再度约翰的家，并诱惑约翰再次来的城堡，看见了恶魔的仪式也陷入无法自拔的境地，而城堡外艾尔玛徒劳寻找着约翰，但是，她找到的是他的遗物，却永远失去了他。
　　幕后制作：
　　影片将惊悚片和超现实的元素相结合，表现艺术创造和疯狂之间的内在联系，是伯格曼导演的惟一恐怖片。两位主角以精湛的表演，展现了心理扭曲的痛苦，极具震撼力。