眼镜蛇

　　After the death of his wife, an 80-year-old man checks into the Plaza Hotel to celebrate their first anniversary apart, hiring a male escort to take her place.

　　一群青少年探寻一座废弃的游客中心，却意外遭遇蒙面杀手的残忍屠杀，并陷入会在死后回到前一天傍晚的无限循环之中！而打破这场死亡循环的唯一方式，就是活到黎明……

　　鲜黄衣袂点缀马其顿偏乡的荒芜，与悬崖上野生蜂蜜琼浆的金黄相辉映。喀迪丝是欧洲大地最后一位女采蜂人，与抱病半盲母亲相依为命，依附野蜂为生，坚守「取一半、留一半」黄金定律。游牧民族一家突然欺至，打破宁静生活的不止是七个孩子与一众牲畜的喧闹，还有疯狂掏尽蜂蜜的贪婪，以及破坏生态环境的肆无忌惮。历时三年静观人与蜂和谐共处的隐世生活，以自然曦光与幽微烛照辉映大地，美得教人肃然起敬。获辛丹斯电影节世界纪录片评审团大奖。

　　故事发生在1914年的意大利，第一次世界大战即将爆发，在一座名为卡普里的小岛上，牧羊人少女露西娅（玛丽安娜·芳塔娜 Marianna Fontana 饰）因为寻找丢失的山羊，而偶然闯入了由一群北欧自由艺术家所构成的神秘聚落之中，在那里，所有的人都赤身裸体，伴随着音乐自由的舞蹈。这诡异的场景并没有吓到卢西亚，她也脱光了衣服，很快就融入了那里的欢快气氛之中。
　　露西娅出生在一个非常封建的家庭之中，她的兄长为了利益想要把她嫁给一个糟老头子。在聚落里，露西娅结识了名叫塞布（雷努特·舒尔腾·范·艾查特 Reinout Scholten van Aschat 饰）的男子，塞布教会了露西娅许多她闻所未闻的处事方法，让她得到了对抗自己命运的勇气。

　　脱离卧底生涯的锋，以为两袖清风，
　　惟昔日阴影挥之不去，上司、女友、老父，统统投不信任票，一次枪声，
　　同袍继而倒地，原是江湖的昔日好友却变成陌路人。可怕的是锋也变成了自己的敌人，内心的煎熬令可卡因成了他最
　　直接了当的解脱。
　　滤镜下的灰暗色调、霓虹灯下的惨淡蓝、幻觉式FLASH
　　BACK。是绝望观感，还是在无人境界的国度？最危险的人
　　物，正是那个活在梦魇的自己。

　　已近不惑之年的古罗夫在雅尔塔的黑海之滨遇上了带着叭儿狗的少妇安娜。经过一个星期的接触，古罗夫得到了安娜的感情，开始热恋。几天后，安娜接到丈夫的病讯赶回C市，古罗夫也回到莫斯科，与比他大10岁的妻子过着平淡无味的生活。古罗夫渐渐发现自己不能离开安娜，独自去C市找她，并约定每隔三个月在莫斯科的一个旅馆见面，俩人开始了一段苦涩的爱情。

　　Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
　　
　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
　　
　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
　　
　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
　　
　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

　　Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce años poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sueños de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.

　　影片改编自历史上首位横渡英吉利海峡女泳者的真实传奇经历。无惧时代禁锢和社会偏见，特鲁迪·埃德尔（黛西·雷德利 Daisy Ridley 饰）破纪录跨越34公里天堑，直面惊涛骇浪，克服水母刺蜇……任何质疑和危险都无法阻挡一颗勇敢的心。

　　津田真一（藤原龙也 饰）是一位天才小说家。他是著名的直木文学奖的获得者。有一天，他让他的编辑娜米（土屋太凤 饰）读他的最新小说。这部小说应该是根据新一在富山县一个小城市经历的一个案例改编的。娜米对这部新小说很兴奋，但她有一种奇怪的感觉，决定根据作者的经验来检查这个故事是否是虚构的。

　　This is a brilliant surrealistic film.
　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.
　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.
　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.
　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.
　　So, the art falls apart

　　比利（丹尼斯·霍珀 Dennis Hopper 饰）和怀特（彼得·方达 Peter Fonda 饰）用一次毒品交易的钱骑着他们的机车上路了，他们的目的地，是新奥尔良的狂欢节。在路上，他们经过了离群索居的波西米亚人群落，短暂逗留的数天里目睹了他们自由放浪但也贫穷困苦的生活。在德克萨斯州，他们仅因为行为举止诡异就被警察关进了监狱，在那里，他们遇见了律师汉森（杰克·尼科尔森 Jack Nicholson 饰），汉森帮助他们逃离了牢狱之灾，他们怂恿汉森同他们一起上路。抵挡不住内心的骚动，汉森同意了。三人来到一个保守的小镇，在那里受尽了居民的白眼。不受欢迎的三人只得露宿荒野，夜里，当地的居民乔装袭击了他们，汉森被打死。比利和怀特虽然震惊，但这一切都没能阻止他们前进的脚步。到达目的地的两人并没有感到喜悦，有的只是无尽的空虚，沮丧的两人打道回府，但令人意外的是，一个卡车司机和他的双杆猎枪使得他们的行程截然而止。
　　这是影史上最伟大的公路电影，也是为数众多的公路电影的鼻祖。